Tutankhamun Ap Art History Peplos Kore Ap Art History

Side Dorsum

Front

33. Niobides Krater. Anonymous vase painter of Classical Greece known as the
Niobid Painter. c. 460–450 B.C.E. Clay, red-effigy technique (white highlights).

Cantankerous-Cultural Comparisons:
- Chalice with ibex motifs
- The David Vases
- Martínez, Black-on-black ceramic vessel

Content:
- 2 sides
- 1 side is of war near
- the other is more peaceful
- kind of like the Standard of Ur?
- Front:
- Shows the story of a woman named Niobe
     - Niobe (a mortal adult female) had 14 kids; 7 girls and 7 boys
      - She bragged that her kids were morenumerous and more beautiful then the kids of goddess leto
      - Leto was the mother of Artemis (huntress) and Apollo (sun and music)
     - Artemis and Apollo exacted revenge for their mother by killing all of Niobe'southward kids (this is the scene on the front end)
- Artemis is reaching into her quiver for some other arrow
- Apollo is cartoon his bow back
- can run into tension in Apollo's torso and drape
- dead children litter the field
- god and goddess are in perfect profile
- Niobe's kids are more frontal
- Dorsum
- Herakles (aka hercules) in the center (identify of importance)
      - half mortal half god
     - holding a guild and wearing a lion peel
-his feet don't touch the ground
- anybody is placed effectually him
- H erakles is surrounded by warriors some standing some reclining
- Athena (wisdom) is on his left
- maybe information technology's not a painting of herakles but rather a painting of a statue of herakles
-maybe greek soldiers are coming to honor him and enquire for protection before they go into battle
- 490 bce - greeks battle enormous Farsi army and somehow won
- maybe this is showing soldiers asking forprotection earlier boxing at Marathon
- there could take been very faint lines that show Herakles on a podium
-which would make sense bc statue of a god with men rather than a god amongst men

Form:
- figures are strong - early classical

- severe way

- made of dirt

- red figure bc bodies are part of cherry-red dirt pot so black background — lots of item allowed

- in the past: greek vases before this had simply one "line"

-now figures occupy unlike levels

- sense of an illusion of space

- foreground and background but all figures are the same size

- suggesting depth

- might be a copy of a wall painting past Polygnotus

- polygnotus painted in Athens and sanctuary of delphi (north of athens)

- he was credited with the thought of beingness the first artist to paint figures in depth

- no ancient greek wall paintings have survived

Context:
- Created during the classic period (expect below for classic menstruation pottery characteristics)
   Greek Pottery:
-Fabricated of terracotta (fired clay)
- Methods :
-Throwing
      - clay is centered on rotating wheel
      - While rotating, the potter pulls up the clay and forms information technology to the desired shape
-Turning and Joining
- t rimming superfluous or uneven clay to refine the shape of a vase/reduce the thickness walls afterward it has been thrown
- put on wheel -- wood, metal or bone tools used
-Burnishing
- used to create a perfectly smoothen surface for painting
      - when clay is leather-hard
- rubbed with a difficult, shine object, well-nigh likely made of leather, wood, or smooth stone
- Each period of fourth dimension had its own technique
- Geometric Period (c. 900-700 B.C.E.) - geometric patterns
- Orientalizing Flow (c. 700-600 B.C.East.) - fauna processions and Well-nigh Eastern motifs
- Archaic and Classical Periods (c. 600-323 B.C.E.) - vase-paintings primarily display human being and mythological activities
- painted scenes should not be idea of equally photographs that document reality
-assistance in reconstructing the lives and beliefs of the ancient Greeks
- To produce the characteristic red and black colors
   - used liquid clay every bit paint (termed "slip")
- 3 step process
      1) kiln at 800 degrees centigrade - turns vase red
      2) seal vents in kiln change temp to 900-950° centigrade- turns black; places with slip transformed into a burnished substance
3) vents reopened and unpainted zones become red again; sideslip / the painted areas retained a glossy black hue
Ruddy figure technique
- invented in Athens effectually 525-520 BCE
- inverse of black-figure
- light-colored figures are set confronting a dark background
- thick skid used to create "relief lines" to help outline
- lines raised prominently from the surface
White-ground technique
- polychrome figures on a white-done background
Black figure technique
- black figures with calorie-free background
- developed by about 700 B.C. in Corinth
- non adopted by vase-painters in Athens until nearly 620 B.C.Due east.
- surface was first burnished and polished
- ocher wash might accept been applied for orange/red
- glassy again
- outlined design of the figures then filled in with black.
- firing, incisions were made through the black gloss with sharp pointed tool show details of the figures
-in the lighter color of the underlying dirt